Next, open up Logic Pro X and set “Loopback Audio” as the audio input. Since we set up Loopback with eight channels of I/O, MainStage has been configured to use eight output channels in the following fashion. This will instruct MainStage to send its output signal to your Loopback device. Next, open up MainStage and set “Loopback Audio”, or whatever you named your virtual device, as the audio output. If you would like to monitor through MainStage directly for whatever reason, you can assign an output device as well. The “Monitors” section is blank because we can monitor through Logic Pro X. Set up an eight-channel virtual audio device with Loopback. Next, add eight output channels, and connect each channel to the corresponding channel of the “Pass-Thru” source. To do this, simply create a new device in Loopback and add a “Pass-Thru” device in the “Sources” section. In this example, we’re going to set up an eight-channel virtual device in Loopback to pass eight channels of audio from MainStage into Logic Pro X. With Loopback’s built-in routing modules and mixer, you can create complex internal connections without touching a single cable. Loopback allows you to create a virtual audio device to pass audio between applications. I’m a huge fan of their products – especially Loopback and Audio Hijack. Loopback is a “cable-free audio routing” app from the awesome folks at Rogue Amoeba. In this post, you’ll learn how to record multitrack audio from MainStage to Logic Pro X with Loopback. It’s technically possible to use either S/PDIF or ADAT for this kind of recording setup, but it’s much simpler to route audio in software – no cables and higher channel counts. If you want to run MainStage and record to Logic Pro X on the same computer with no quality loss, you’ll need a digital audio router of some sort. I think that Loopback is a bit pricey for what it does, but it is a very elegant solution to this problem.While MainStage has built-in recording capabilities, tracking to a proper DAW like Logic Pro X provides much more flexibility. With Soundflower, once setup, your output will be muted completely until AU Lab is open, and so you'll need to keep switching audio devices if you wish to just listen to the output without opening AU Lab. ![]() * Loopback will automatically mute the regular output when you open AU Lab, thus allowing the EQed version to come through, the advantage of this is that you may use OS X as normal with no EQ and easily enable EQ by opening your AU Lab project. * The EQ output volume is compensated based on your implemented curve (great job TDR) This particular approach (with included software) has many benefits to using Soundflower and certain other EQ plugins: You may save your setups in AU Lab for various headphones and then simply open them from Finder when you wish to activate the EQ for that pair of headphones. Now, simply insert Nova in the Effects slots in the Audio 1 channel, you may now go ahead and EQ sound to taste and also view an FFT by enabling the analyzer, use the BYPASS button to A/B with the EQ on and off: ![]() Now, open AU Lab, set "Audio Input Device" to your "Music Players" loopback output and set "Audio Output Device" to your audio interface: You'll never need to use this again unless you wish to add more music players to your virtual output. Open Loopback and create a virtual audio device, adding all input sources you want equalized to the device, leave all other options in their default state Please install each piece of software and proceed below. If you do wish to go further, check out offerings by DMG Audio and FabFilter or the gentleman's edition of Nova. It's free and more powerful than most of us will need. Of course, there are many choices for EQ plugins, but this parametric EQ by Tokyo Dawn Labs is absolutely awesome and also compensates the output volume based on your applied EQ to avoid distortion. ![]() I would like to guide you through the most elegant way I have found to run any quality parametric EQ on your audio output so that you may equalize your headphones for the optimal listening experience.
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